Archive for May 2017
PDF Download W. E. B. Du Bois's Data Portraits: Visualizing Black America, by Britt Rusert
PDF Download W. E. B. Du Bois's Data Portraits: Visualizing Black America, by Britt Rusert
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W. E. B. Du Bois's Data Portraits: Visualizing Black America, by Britt Rusert
PDF Download W. E. B. Du Bois's Data Portraits: Visualizing Black America, by Britt Rusert
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Review
"At the Paris Exposition in 1900, W.E.B. Du Bois, activist, writer, sociologist, historian, exhibited a number of graphs, charts, and maps that illustrate "the color line" and shined a spotlight into how Black Americans were living. In "W.E.B. Du Bois's Data Portraits: Visualizing Black America: The Color Line at the Turn of the Twentieth Century'' editors Whitney Battle-Baptiste and Britt Rusert collected these images together for the first time. The result is as visually arresting as it is informative." - The Boston Globe"You can't know where you're going if you don't know where you come from. W.E.B. Du Bois's Data Portraits offers a comprehensive view of issues Black Americans have faced, from land ownership to education. These infographics were presented at the 1900 Paris Exposition. It's interesting to see how things have--or have not--changed." - Essence"W.E.B. Du Bois's Data Portraits was published on the sesquicentennial year of the Du Bois' birth, and it further reaffirms the scholar's place as a founding figure in American sociology. The recirculation of Du Bois' data portraits offer a new opportunity to marvel at the forward-thinking work being done at Atlanta University." - Smithsonian Magazine"W.E.B. Du Bois wasn't just one of the foremost civil rights activists of the late 19th and early 20th centuries. He was also a data visualization whiz who was able to turn his sociological research into innovative infographics that communicated the reality of the African-American experience to the world. Du Bois spent more than 20 years of his life working as a sociologist at Atlanta University studying black communities. In 1900, he was asked to contribute to the American Negro Exhibit, a showcase at the Exposition Universelle in Paris designed to explore the progress of black Americans since Emancipation. In response, he and his students at Atlanta University created 60 different infographics on topics like literacy rates, property ownership, and population growth of black Americans using research from his sociology lab, U.S. government data from the Census, other reports. More than a century later, these innovative infographics have been collected in a new book from Princeton Architectural Press called W.E.B. Du Bois's Data Portraits: Visualizing Black America." - Mental Floss"W. E. B. Du Bois's Data Portraits is an exquisitely designed, highly informative, and eminently teachable study-a testament to Du Bois's seemingly boundless innovation, not only as a theorist of race but as a visual architect and data artist. Battle-Baptiste and Rusert have given us a gift in this volume: a feast for the eyes, a feast for the intellect." - Leigh Raiford, University of California, Berkeley, author of Imprisoned in a Luminous Glare: Photography and the African American Freedom Struggle"This fascinating reproduction of all the data visualizations prepared by Du Bois and his team for the American Negro Exhibit at the 1900 Paris Exposition is so modern as to be nearly anachronistic. The introduction is also excellent, briefly providing historical and political context to the primary source materials. These plates represent a very contemporary approach to a social problem that still looms large in our country and will interest scholars of African American studies, design, data visualization, sociology, and history. Summing Up: Highly recommended."-Choice Magazine"These rarely seen and beautifully rendered data visualizations show the promise and creative possibilities of black art and science, more than a century ago, to remak eAmerica in the true image of all her people. Drawn in brilliant and vivid colors in these portraits, Du Bois's color line reminds us that the struggle for justice is also the struggle for truth, then as now." - Khalil Gibran Muhammad, Harvard University, author of The Condemnation of Blackness: Race, Crime, and the Making of Modern Urban America"These images are as precise as they are dazzling; sobering and chromatic all at once. They also unleash modernist forms of abstraction and conceptual artistry decades ahead of their time. A graphic rendering of fire." - Nylon"Refusing the boundaries between art and sociology, abstraction and portraiture, the evident rhythm and the evident incalculability of human action, Du Bois gives data dimension and color, inside and outside the color line, in compositional concert, the black modernism and modernity he prophesies and performs always one step away, two steps ahead." - Fred Moten, University of California, Riverside, author of In the Break: The Aesthetics of the Black Radical Tradition"In re-envisioning Du Bois the artist alongside Du Bois the scientist, this magnificent volume demonstrates that race is a visual economy-a system of vision and division that structures who lives and who dies. The contributors remind us that how we see race (or pretend not to) matters as much in our scholarly representations of social life as in our everyday lives." - Ruha Benjamin, Princeton University, author of Race After Technology
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About the Author
Whitney Battle-Baptiste is the director of the W. E. B. Du Bois Center at University of Massachusetts Amherst and an associate professor in the Department of Anthropology. She is the author of Black Feminist Archaeology.Britt Rusert is an assistant professor in the W. E. B. Du Bois Department of Afro-American Studies at University of Massachusetts Amherst and author of Fugitive Science: Empiricism and Freedom in Early African American Culture.
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Product details
Hardcover: 144 pages
Publisher: Princeton Architectural Press (October 23, 2018)
Language: English
ISBN-10: 9781616897062
ISBN-13: 978-1616897062
ASIN: 1616897066
Product Dimensions:
7.2 x 0.8 x 10.2 inches
Shipping Weight: 1.4 pounds (View shipping rates and policies)
Average Customer Review:
4.8 out of 5 stars
5 customer reviews
Amazon Best Sellers Rank:
#15,036 in Books (See Top 100 in Books)
This is a fine collection of the data visualizations that W.E.B. Du Bois prepared for the 1900 Paris Exposition showing the status of African-Americans at that time. It forms part of a well-deserved celebration of the iconic polymath's centenary. My thanks to the authors for putting together such a fine volume at a very modest price.
Awesome Graphics
I can’t decide if I like this better as a visual reference or a window on a moment of history. It’s a great gift and great way to spend an afternoon. Thanks to WEB DuBois one more time.
I gave it as a gift and the recipient was very pleased . Excellent book to add to your home library.
W.E.B. DuBois' Data Portraits by Whitney Battle-Baptiste and Britt Rusert et. al. is a free NetGalley ebook that I read in late October.Infographics & photos created and curated for a 1900 exhibition in Paris to chart out the economic, land ownership, and scholarship status of African American living in the U.S. (particularly Atlanta, sometimes compared those living in European countries) and Du Bois’ sociological concept of the color line. The use of gouache watercolor is eyecatchingly progressive and impactful, as well as the trajectory of data going off-course (i.e. into a spiral or curve) and crosshatching with data of a different year or population.
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PDF Download , by Amy Krouse Rosenthal
PDF Download , by Amy Krouse Rosenthal
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, by Amy Krouse Rosenthal
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Product details
File Size: 21764 KB
Print Length: 320 pages
Publisher: Dutton (August 9, 2016)
Publication Date: August 9, 2016
Sold by: Penguin Group (USA) LLC
Language: English
ASIN: B01839Q5BM
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Amazon Best Sellers Rank:
#445,009 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
Ok, how cool is it that an author wants to engage with her readers. Amy Krouse Rosenthal does just that with her newest book TEXTBOOK: Not Exactly a Memoir. Throughout this witty banter of a book, Rosenthal shares moments where the reader can literally text her. She provides a subject so that you know there is going to be a reply and assuming some form of further conversation about what she has written. My favorite one is she hopes to have readers join together and who knows, maybe form a group of sorts. Like one big book club made up of digi-pals who might aspire to form a deep friendship, or take a trip together – the world will be your oyster thanks to Krouse Rosenthal. It’s like Textbook.com. Love it.Her ideas are brilliant – she gives you little exercises of pure delight. So simple yet so powerful. I found myself highlighting everything, taking furious notes. The ‘experiments’ are not just sweet but fun. And funny.Rosenthal delivers amusing wisdom of the everyday, and pinpoints things that we all think about but probably don’t write down unless we keep a journal and take the time to re-read it or talk out loud and laugh at ourselves. Yes, there is texting and yes, we post on Instagram and laugh at our witty selves. But somehow sharing all those sweet, tender and hilarious moments with others in a way that is meaningful. And, not just relegated to your kid’s first day of school adorableness (although I know he/she is so cute!), your dog’s latest trick or that incredible cocktail that you must post, but real life goodness – things that you wish for, things that you can try to achieve, observations in the small things that really matter, something that you find so funny or so coincidental or so truly astounding you need anyone who will listen to know about this because it is that amazing that it might start a movement.​Krouse Rosenthal is the friend you want to have and the writer you want to keep writing. Jump on the TEXTBOOK bandwagon.
Textbook is so many things, including a cute play on words. I've never read anything quite like it and maybe because I am such a fan of AKR's writing, I loved all of it.I bought this book shortly before the author died and finished it after attending a celebration of her life in Chicago, which may explain why it was so very moving to me to read her last work.I recommend reading Textbook with your phone in hand, and please follow all the text prompts and links. Especially, listen to the soundtrack while reading her end notes and keep tissues handy.I'm sad this book isn't more popular and sadder that Amy's voice is gone from this world. She left us a lovely and inspirational goodbye letter.#Makethemostofyourtimehere
Whoever left the review to "buy two copies because you'll be compelled to give one away" is telling the truth! I eventually bought two copies so I can freely loan one copy to someone without hounding them like a meth addict needing a fix.Amy's writing is so personal and qualifies as a "light read," yet her thoughts and observations are moving and delve into the deep issues of humanity. I learned so much from this book, not only about Amy's life, but about my own, and what I want my impact to be on others. Her unique structuring of this book inspired me to write my own "sort-of" travel memoir, freeing me from the restrictions of formatting. You can read this book in a day, but you may want to savor it for a lifetime.In terms of timing: I'd just read about the Purple Flower moment when her NYT's piece in Modern Love was published and I'd found out she'd passed away. That became my Purple Flower moment. I honestly cried. Even though I didn't know her, I had felt her impression on this world like a huge thumbprint, and I believe the world would be a much better place with more AKRs living in it.Thus: read this book. Love better, laugh better, and take heart that humanity still holds such glittering beauty.
Although I don't typical read memoirs, this book is so wholly original that calling it a memoir seems rather limiting. It's literally a "text book," meaning you can text the author, or an automated version of the author, and interact with her via additional material that she sends you, my favorite of which, a piece of music, accompanied the very beautiful ending. There are also opportunities to go online and view galleries of art, writing and other ephemera from other readers, and to contribute your own. I think of this as the perfect Sunday book, a read to cherish without an agenda and with time on your hands to go done a lot of unexplored and unexpected paths.
Amy Krouse Rosenthal has a special ability to connect with people and put into words life's joy and meaning without telling people what to do. Her work reminds me of what an angel would say to me at the gate. In a way it is a reflection on life in a way people don't really talk about daily. This is unlike anything I have ever read! And the last page and the last words hurt knowing she has now past....goodbye, I love you, thank you. Thank you for reminding me what actually matters in life.
Please read and buy a copy or two to share with a friend or stranger! And get ready for April 29th this year and every year to tell someone you love him or her and do something lovely for Amy's birthday and in her honor. And do it for you.
This book was absolutely delightful in every way. Simple, understated, relevant, poignant. I loved the randomness of it -- I am a big fan of Rosenthal's "Encyclopedia of an Ordinary Life," as well. And the interactive texting element took it to a whole new level. Highly recommended.
I thoroughly enjoyed this book by Amy Krause Rosenthal! The beautiful phrases, ideas, and sentences presented in such a creative way were so fun to read. I had so many laugh-out-loud moments. My only complaint? I wish the book was longer :)
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