Ebook Free Bulfinch's Mythology: Includes The Age of Fable, The Age of Chivalry & Legends of Charlemagne (Modern Library (Paperback)), by Thomas Bulfinch

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From the Inside Flap

For almost a century and a half, Bulfinch's Mythology has been the text by which the great tales of the gods and goddesses, Greek and Roman antiquity; Scandinavian, Celtic, and Oriental fables and myths; and the age of chivalry have been known. The stories are divided into three sections: The Age of Fable or Stories of Gods and Heroes (first published in 1855); The Age of Chivalry (1858), which contains King Arthur and His Knights, The Mabinogeon, and The Knights of English History; and Legends of Charlemagne or Romance of the Middle Ages (1863). For the Greek myths, Bulfinch drew on Ovid and Virgil, and for the sagas of the north, from Mallet's Northern Antiquities. He provides lively versions of the myths of Zeus and Hera, Venus and Adonis, Daphne and Apollo, and their cohorts on Mount Olympus; the love story of Pygmalion and Galatea; the legends of the Trojan War and the epic wanderings of Ulysses and Aeneas; the joys of Valhalla and the furies of Thor; and the tales of Beowulf and Robin Hood. The tales are eminently readable. As Bulfinch wrote, "Without a knowledge of mythology much of the elegant literature of our own language cannot be understood and appreciated. . . . Our book is an attempt to solve this problem, by telling the stories of mythology in such a manner as to make them a source of amusement." Thomas Bulfinch, in his day job, was a clerk in the Merchant's Bank of Boston, an undemanding position that afforded him ample leisure time in which to pursue his other interests. In addition to serving as secretary of the Boston Society of Natural History, he thoroughly researched the myths and legends and copiously cross-referenced them with literature and art. Assuch, the myths are an indispensable guide to the cultural values of the nineteenth century; however, it is the vigor of the stories themselves that returns generation after generation to Bulfinch.

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About the Author

Thomas Bulfinch (1796–1867) was an American writer, Latinist, and banker who wrote and collected the first popular English-language retellings of Greek, Roman, Eastern, Scandinavian, Arthurian, and medieval myths in his famous three-volume compilation, Bulfinch’s Mythology. "Without a knowledge of mythology," he wrote, "much of the elegant literature of our own language cannot be understood or appreciated." He added: "We trust our young readers will find it a source of entertainment," and his trust seems to have been justified, judging from the many generations who have found his books an enthralling and loving introduction to the worlds of classical and medieval myth and legend.Alberto Manguel is an internationally acclaimed anthologist, translator, editor, and bestselling writer of several award-winning books, including A Dictionary of Imaginary Places and A History of Reading. He was born in Buenos Aires, moved to Canada in 1982, and now lives in France, where he has been named an Officer of the Order of Arts and Letters.

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Product details

Series: Modern Library (Paperback)

Paperback: 896 pages

Publisher: Modern Library; Reprint edition (August 11, 1998)

Language: English

ISBN-10: 9780375751479

ISBN-13: 978-0375751479

ASIN: 0375751475

Product Dimensions:

5.4 x 1.9 x 8 inches

Shipping Weight: 1.7 pounds (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

260 customer reviews

Amazon Best Sellers Rank:

#1,495,372 in Books (See Top 100 in Books)

While the contents of the book are wonderful, this edition is printed in such tiny text it is impossible to read. Purchase another edition and enjoy the stories.

Naturally Greek and Roman mythology is not preached today and, because of this, there are many different versions to nearly all the myths you have ever heard and read. Bulfinch includes the most popular versions and tells it in a way that is very entertaining. That being said, Bulfinch didn't actually write the majority of the book; he copies scenes, passages, and, sometimes, even entire stories from Ovid's "Metamorphoses."Furthermore, Bulfinch's approach is affected by the time period (mid 1800s), social norms, and his own personal opinion; he often slides in his own comments which leads the reader to doubt that he's telling the entire story-- and most of the time, he doesn't tell the whole story. He manages to exclude a lot of the sexual activity of the gods (which anyone who knows anything about mythology knows that the gods are always having affairs... ALWAYS) and insinuates that the gods were just spending time with one another. He also leaves out some of the gory details which are imperative in most stories; he glides over important scenes and repeatedly spends time explaining unimportant scenes instead.Nevertheless, it's a good read if you're looking for an introductory book about Roman and Greek mythology but keep in mind that these stories have many plot variations, just because it's in this book doesn't mean it's a fact. Once you've read this, I encourage you to read Ovid's "Metamorphoses;" Ovid is relaxed and comedic-some of his stories are told more for the entertaining factor than correctness, but it's still a very good, enjoyable read.I hope this helped!-K. J. Burks

It's a good collection and Gathering of Miss. But the reading of the book maybe a little dry and boring for some. It's not set out so much as a storytelling but as an information-based of this happens then this happens in the net happens and so forth and so on. But it's good information. Plus it's a solid hardback book

We've had this book for a long time, and it is a much-loved and much-used part of our library. Unfortunately, our old copy has seen better days, so it was time for a new one.This is THE go-to symposium of Greek myth, and also covers a great deal of Norse mythos as well.

I read this book in high school and loved it. I loved it so much I went around shopping for a copy. I unfortunately couldn't find the same edition as the one from high school, but this is just as good and damn gorgeous to look at. I'm in love all over again.

I went to Catholic school and this book was on the shelf reserved for older students. I had a fascination for mythology, reading other books in the library on Greek, Norse, and Celtic mythology. When I was old enough to read Bulfinch, I remember it as being a good read.Oh, but it is not a good read, nor is it well written. The point of view changes back and forth among second person, third person, and third person omniscient often within the same page. Major portions of important myths are dispensed with using a sentence or two.The author goes above and beyond to dismiss all contained as myth, "unlike Christianity." Whatever your religious viewpoint, this dismissal of the myths being told is repeated well past the point of annoyance, as if the author were afraid of being excommunicated were it not repeated every fifth page.It does provide some Arthurian legends that are not easily located elsewhere.

Beautifully bound book, provides an interesting perspective of Greek and Roman mythology as well as other ancient European stories. Still going through it and am looking forward to reading about Arthur and the Knights of the Round Table.

I enjoyed reading this book, just a few sections at a time. It isn't something I'd want to sit down and read cover to cover. The subject matter was interesting, and I loved reading different twists on the traditional stories. It was slow at the beginning, and I wasn't sure I would finish reading it, but it picked up as I got into the tone of it. Some of the parables (for lack of a better word) were silly, but I imagine the adventures during chivalrous times were pretty tame compared to the modern stories we're accustomed to reading. There's not a dragon to slay in every cave, but apparently every cave had a hermit who could offer a place to stay and some sage advice.

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