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PDF Ebook Women Writing Africa: West Africa and the Sahel (v. 2)

PDF Ebook Women Writing Africa: West Africa and the Sahel (v. 2)

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Women Writing Africa: West Africa and the Sahel (v. 2)

Women Writing Africa: West Africa and the Sahel (v. 2)


Women Writing Africa: West Africa and the Sahel (v. 2)


PDF Ebook Women Writing Africa: West Africa and the Sahel (v. 2)

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Women Writing Africa: West Africa and the Sahel (v. 2)

Review

"The diverse writings presented here will prove to be invaluable not only to students and scholars, but to readers with a curiosity about the historical and cultural legacy of African women. . . . The editors of this book sought to provide a more complete and robust portrait of Africa and African women. They have . . . recover[ed] the lost voices of African women and, as a consequence, have restored their rich cultural and historic legacies." ―Foreword Reviews"Some of these texts are full of celebration and some of powerful emotions; all evoke powerful imagery. Both the texts and the headnotes are fascinating to read, and the reader is truly gripped by the passion and emotion of the writers. This anthology provides an epic tale of African history while highlighting African women's valuable contributions to their culture and bringing their voices to life for readers everywhere. Highly recommended." ―Library Journal"The most significant heroes in this book are the scores of African feminist scholars who worked for over a decade to produce their reading of African history. . . . We are lucky to have Women Writing Africa." ―Women's Review of Books"The first two of four volumes in the Women Writing Africa Project, these books address significant voids in the African literary canon. . . . As these volumes attest, although history has subdued and ignored the cultural meditations of African women, the women themselves have not been silent. Summing up: Essential. All readers; all levels." ―ChoiceA "splendid resource . . . ranging from wedding songs and work songs to letters, prison diaries, poetry, memoir and recent testimony. . . . The famous are here . . . but most of the voices are new. . . . The authoritative, readable introductory notes to each selection provide essential background and biography. . . . [T]he focus always is on how [the context] affects the daily life of people." ―Booklist"An amazing resource." ―New York Times Book Review"Esesential. . . . A rich resource for scholars and general readers alike. . . . [These] texts are rich, evocative, and shaped by endless complexities." ―Library Journal"One volume cannot fill [the void], but the editors have made a beginning, created a place where the voices of all sorts of African women can be heard. Some are urgent, powerful, and contemporary, some remote and small, fading into the wind with lost languages and vanished cultures; but even they can say, like the woman who sang the giraffe song, 'I almost died but instead lived.'" ―New York Review of Books"The diverse writings presented here will prove to be invaluable not only to students and scholars, but to readers with a curiosity about the historical and cultural legacy of African women. . . . The editors of this book sought to provide a more complete and robust portrait of Africa and African women. They have . . . recover[ed] the lost voices of African women and, as a consequence, have restored their rich cultural and historic legacies." —Foreword Reviews"Some of these texts are full of celebration and some of powerful emotions; all evoke powerful imagery. Both the texts and the headnotes are fascinating to read, and the reader is truly gripped by the passion and emotion of the writers. This anthology provides an epic tale of African history while highlighting African women's valuable contributions to their culture and bringing their voices to life for readers everywhere. Highly recommended." —Library Journal"The most significant heroes in this book are the scores of African feminist scholars who worked for over a decade to produce their reading of African history. . . . We are lucky to have Women Writing Africa." —Women's Review of Books"The first two of four volumes in the Women Writing Africa Project, these books address significant voids in the African literary canon. . . . As these volumes attest, although history has subdued and ignored the cultural meditations of African women, the women themselves have not been silent. Summing up: Essential. All readers; all levels." —ChoiceA "splendid resource . . . ranging from wedding songs and work songs to letters, prison diaries, poetry, memoir and recent testimony. . . . The famous are here . . . but most of the voices are new. . . . The authoritative, readable introductory notes to each selection provide essential background and biography. . . . [T]he focus always is on how [the context] affects the daily life of people." —Booklist"An amazing resource." —New York Times Book Review"Esesential. . . . A rich resource for scholars and general readers alike. . . . [These] texts are rich, evocative, and shaped by endless complexities." —Library Journal"One volume cannot fill [the void], but the editors have made a beginning, created a place where the voices of all sorts of African women can be heard. Some are urgent, powerful, and contemporary, some remote and small, fading into the wind with lost languages and vanished cultures; but even they can say, like the woman who sang the giraffe song, 'I almost died but instead lived.'" —New York Review of Books

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About the Author

Esi Sutherland-Addy (Ph.D. Hon, Hon FCP) is senior research fellow, head of the Language, Literature, and Drama Section, Institute of African Studies, and associate director of the African Humanties Institue Program at the University of Ghana. Aminata Diaw teaches in the Faculty of Arts and Humanities at the Cheikh Anta Diop University in Dakar, Senegal, where she is currently the public affairs director of the Centre for Cultural and Scientific Programs. She is also Secretary General of the Senegalese Council of Women and Chair for the subcommittee on Humanities and Social Sciences of the National Commission of UNESCO."

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Product details

Series: Women Writing Africa (Book 2)

Paperback: 560 pages

Publisher: The Feminist Press at CUNY (August 1, 2005)

Language: English

ISBN-10: 9781558615007

ISBN-13: 978-1558615007

ASIN: 1558615008

Product Dimensions:

6 x 1.3 x 9 inches

Shipping Weight: 1.4 pounds (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#1,606,903 in Books (See Top 100 in Books)

for those who are interested in African Literature and culture, this 4 volumes anthology gives a broad overview and a good selection of various important writers chronologically ! I recommend it for researchers, students and African lit. fans !

Opening this substantial volume - the second of four in the series " Women Writing Africa", a project conceived in 1990 by members of the Modern Language Association, the reader immediately realizes that this is not a book to read from page 1 to the end. Instead, browsing, picking up and getting absorbed in a story or a poem, is the most likely reaction. It is a companion book for any interested reader curious or knowledgeable about West African writing. Its great value lies in this being a very rare, rich reference collection of West African women's writing, going back to the eighteen hundreds and covering any form of writing, from poetry and songs to letters to stories. It took years to bring the material together and the editors and many contributors deserve praise for having achieved this rich compilation of thought, experience and - in short - glimpses into life, of a great diversity of peoples and cultures. The book's index is very well structured and easy to use, first by broad time-lines and within those, by themes. The themes cover the domestic life from rituals to love songs to lullabies, the various work situations for women, political issues with the rise of nationalism in countries to "Negotiating New Social Identities" and more. A comprehensive list of sources and bibliographic references assists those who want to pursue one or the other author's writing or theme in substantive ways.In their highly informative preface the editors place the collection into the wider historical and cultural contexts and address the question a reader might have, why concentrating on "women writing"? They also stress that the selection was difficult, given "the intense richness and complexity of the West African Region... a mosaic of ethnic groups, languages, cultures, histories, and countries". Twelve "nations" were eventually chosen to be featured by their writers, poets and thinkers: Benin, Burkina Faso, Cote d'Ivoire, Gambia, Ghana, Guinea-Conakry, Liberia, Mali, Niger, Nigeria, Senegal, Sierra Leone. Especially helpful are theme-focused introductions, especially relating to more historical themes that add to the understanding of meaning and context. For example, the brief poem "Bamako" - then the capital cit of French Sudan and now of Mali, expresses the wailing of the women as their lovers depart for Bamako; for them the "city was close to hell":Bamako!I do not bemoan my mother.I do not bemoan my father.I bemoan my lover who has no clothesTo go to BamakoAnd that is tough![Friederike Knabe]

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